Precedents:
I did not imagine it
I made it
to disclose the instant
through the instance
of its making
…
Painting series above by JWR: each oil on aluminium, different scales (largest approx 125 x 125cm)
Notes to self: founding and unfolding pictopiesis//qualities: corporeality, thingliness, dinglichung//https://phenomenology//architectural – line, point, weave, fabric, loom,
also: https://en.wikipedia.org/wiki/Phenomenology
https://en.wikipedia.org/wiki/The_Phenomenology_of_Spirit
https://en.wikipedia.org/wiki/Master%E2%80%93slave_dialectic
My paintings in the case of the above series are colourful, Guston’s work (below) instead, is a suspension of colour. But there is a structural/painterly correspondence between mine and this particular work at The Tate, by Philip Guston; the elements of painting are in fact few, such that there will always be correspondences to be found, even between radically differently-tempered interpreters of the material:
