Tag: homeostasis

Thinking around concluding a painting/paintings

The painting and I are bound together by what feels like a kind of covenant bound in with the (picto)poietic act of making, in which we both progress together. For any of it there has to have been an initial impetus which set the work in motion. That was the living me, something which has philosophical significance. […]

Correlations

With practopoiesis in mind and the notion of the painting as a mind mirror… I took some stills of the studio – the painting in progress on my working table.* Normally in photographing a work, it is desirable to eliminate any reflections but here the reflection presented a mirror-like surface, which seemed to suggest a new extension […]

Actualisation

Instead of focusing on my painting as being something limited and constrained, even though it has arisen out of limitation and constraint, I have focused instead on the potential it represents. This begins with the blank white surface, a situation I have come to see in terms of the painting’s Negative Capability – the notion […]

Microcosm, Macrocosm

The translucent spheroids are one of the means by which the painting’s narrative is made; they are as permeable veils connecting all directions and planes, so contributing to the sense of depth. I also begin to see these same spheroids as lenses – as if a plano-convex lens were pressed to the surface to reveal […]

Animate

In the studio: Painting progressing, I wanted to capture each and every passage of paint so far – which I have done in terms of the animation above. Experience tells me that the painting is about a quarter of the way through but I can’t be certain. Lighting conditions vary greatly from day to day […]

I ask myself, I ask you

In the studio: next painting to be done, already primed (on aluminium). The painting has its full potential as it is now, here in front of me, in Negative Capability (potential is only that, the not-yet-realized, nothing more or less). The physicality of its presence is striking, as there is, as yet, no illusion to distract. […]