Tag: body

Gesture

The second of Paul Coldwell’s lectures, at the very beginning reminds me to talk again about gesture, which has to do with the body and is closely associated with painting and its directness. Vitruvian Man – the proportions of the human body according to Leonardo da Vinci I have already written about the circular gesture, […]

HYBRIDS – fields of experiment

So far in these reflections, I have wanted to extend the introduction of my painting to better evidence where I am coming from with respect to it, at the same time building an interface with the digital. Thinking now about my contribution to our first group exhibition coming up on 1st December at 2 Girls Gallery; […]

Circular

Above, the whole painting as it is now – I think about halfway along, perhaps more. I see it as being now fully a body, I see it as cultivated to a point where, if it were a biological entity, it could sustain the combined life-support functions normally carried out by separate organs such as […]

Primary Field

The following post is a reflection on an earlier draft post I was unable to complete at the time. I would like to share it rather than forget it –   Returning to this primary field: First body completed by Blue Blue is a person? an organ of this body sky of its land   An instant, […]

Becoming itself

In the studio: The painting has progressed and been photographed at each phase. I now have a procession of images – and am currently processing them – I choose this word having still in mind Tuesday’s online Processing workshop (see page titled Processing in this blog) The animation below begins to unfold the picture’s narrative further […]

Animate

In the studio: Painting progressing, I wanted to capture each and every passage of paint so far – which I have done in terms of the animation above. Experience tells me that the painting is about a quarter of the way through but I can’t be certain. Lighting conditions vary greatly from day to day […]

I ask myself, I ask you

In the studio: next painting to be done, already primed (on aluminium). The painting has its full potential as it is now, here in front of me, in Negative Capability (potential is only that, the not-yet-realized, nothing more or less). The physicality of its presence is striking, as there is, as yet, no illusion to distract. […]