Reading this article, I am wondering if a program for pictopoietic thinking could ever be conceived, perhaps hypothetically. The thing is, pictopoietic thinking is living thinking, and a computer is not alive. Meanwhile, I shall carry on trying to explicate pictopoiesis and its elements as best I can. Today, in and out of the studio. The days are […]
Category: Notes to Self
The blind spot
I am thinking that in this article is correspondence with an essential principle underlying pictopoiesis: that the material reality of the painting and its beginnings with the fundamental building blocks (the black dot “atom”), is what the painting all works back to, and traceably so. In fact, how closely this principle of pictopoiesis, of material connection with source and origin, […]
Intellectualism and Inspiration
Image: Oil, graphite, pencil and pigment on paper by JWR some correspondence with Agnes Martin: Art ‘Requires a Relaxation of Control’: How Agnes Martin Gave Up Intellectualism to Harness Her Inspiration
Songs and a Dance
Finding correspondences: https://www.florianrago.com/music Ruthenian Song/Farewell to the Bride: Rumanian Whirling Dance:
Treatise, Tantra, Mantra
image: Great Mirror, oil and pigment on paper by JWR Some background contextual research regarding the explication of pictopoiesis: Treatise note: to list of treatises given in above link add: Leonardo Da Vinci A Treatise on Painting also: Vincent de Beauvais “Great Mirror” also: Albertus Magnus also: Sol le Witt Paragraphs/Sentences of Conceptual Art; Paul Klee […]
Cloud
Painting in progress, and without it being predetermined, a cloud suggests itself. I orientate the work in different ways. The cloud, like the thought of it itself, subject to constant reformation. Its behaviour governed by conditions around it, near and far, of atmosphere, weather and climate. Everyone knows clouds. I have already journeyed from the earthed […]
Pictopoiesis and Pragmatism
Painting in progress: There are certain facts about oil painting which make it tricky to handle at the beginning. When I began painting in earnest, I found it difficult to handle oil paint, actually I did not like it. I had only ever used water paints before. But I persisted with the oil painting. […]
The Integrity of Line
The drawings below were all made freehand, with a basic mouse, no other aid. I call them mouse drawings. At the time I was interested in the possibility of inventing a series (alphabet-like) of protoforms suggestive of different habitats or dwelling places, structured line by line. Like building a skeleton, external and internal. In every case, […]
Origin always has echo
The art of our earliest ancestors is compelling, so I was interested to look through an article (see notes at end of post) in my inbox, which has triggered the following post: Some time ago I did a series of paintings in which, amongst other matters, I was interested in trying to commune and reconnect […]
Fabric of Common Descent (video)
(best heard with earphones) Fabric of Common Descent from Janet Waring Rago on Vimeo. Soundtrack by Alexis Rago Shown in exhibition Virtual Particles at Camberwell University of the Arts, London (December 2018)