Order and Disorder

Header and above images: Drawing in Random Mode, oil on card by JWR  Aeon online: The music of all time is a duet between order and disorder?

A Significant Difference

There is a significant difference in quality between the digital files I habitually post (as in 2nd image below) and the high res files (immediatley below). The high re files allow for closer scrutiny of fine detail (enlargement in the header image) giving a better idea of the painting (123 x 125 cm) in real life, not possible using the lower […]

Concluding some paintings

      When a painting is reaching its conclusion I think very carefully of how to title it. Untitled does not work for me. In making the paintings I have become absorbed into their wordless worlds, making naming not an easy matter but titling is a way to clarify the work further in my […]

Concerning the Elemental

Recombining the pictorial elements in animated form to make pictopoietic poems/poems of pictopoiesis 1.The Origin of Blue 33 sec. video:   notes to self: point, line, circular pathway that returns to source/origin, time, colour have several earlier works (painted) on this same theme

Lawrence Ferlinghetti: poems on poetry-making and paintings

(header image of one of the paintings currently in progress) Constantly Risking Absurdity (#15) BY LAWRENCE FERLINGHETTI Constantly risking absurdity                                              and death             whenever he performs                                         above the heads                                                             of his audience    the poet like an acrobat                                  climbs on rime                                           to a high wire of his own making and balancing on eyebeams                                      above a sea […]

Signature

The matter of signing the paintings has always been problematic to me. I do not like to disturb the surface without careful consideration first and at best find the act of signing something uncomfortably self-conscious. Sometimes this is not the case. My latest idea is to make a handprint on the back of the work […]

The future as a matter of the continuously evolving past

The painting above (125 x 127 cm) is one I have been working on today as I would like to complete it for the Summer show. It has been suspended for a year having been started early on in the MA. Here is a reminder of how it began and its story so far: