I made the painting shown in the header image, a few years ago, in the earlier days of clarifying my approach. I have a much better photo in my image library but this will do for now. In doing the painting, organising and unifying all of its elements I was reflecting on consciousness as an […]
Category: Notes to Self
Gesture
The second of Paul Coldwell’s lectures, at the very beginning reminds me to talk again about gesture, which has to do with the body and is closely associated with painting and its directness. Vitruvian Man – the proportions of the human body according to Leonardo da Vinci I have already written about the circular gesture, […]
Indefinite Suspension and/or Conclusion?
The painting, begun on 11th October, has been taken to a point where I am thinking of it as being finished. I have to look at it, reflect over a period of time to see if it gains strength in itself, or falls short and if so, work out in what way it seems […]
Timeline and the Cyclical
The painting is moving towards its inevitable, though always unpredictable conclusion. I stand back and evaluate using the digital images, re-evaluating the picture. To refresh the situation, I revisit the consideration of the picture’s orientation. From the beginning, I factored flexibility of orientation of the painting. I begin to see a preferred orientation emerging, perhaps, I […]
Context over time
Sampled from my own library to evidence the inspiration of science over decades – into the present with A Universe from Nothing. See below Out of the Huge First Nothing – most recent painting in progress, nearing completion: Historical context This is many-layered as I am old enough to be able to look back on […]
The line as a continuum of corporeality
unedited, unpunctuated stream of thought/free verse concerning the painting and its making: (image below is detail of top right-hand area of the painting in the header of this post, in its present state) chalazae cultivating to somehow suspend and span the unbounded whole this invisible somehow most real by its corporeality paint is corporeal its body […]
Lines on Lines and Lines on Lines on Lines
Lines on lines by J.Waring Rago: edited, unpunctuated, contd: Lines are points which have grown Lines suggest architecture Parallel lines suggest strong structure Lines represent edges Lines misrepresent edges A line denotes the horizon The horizon is not a line There is no such thing as the horizon line A single line makes a […]
Post for Second Symposium
My previous post gave the background (with a lot of technical stuff too) for my exhibit at 2 Girls Gallery. The exhibit consisted of a small 25 x 25cm, oil on aluminium painting and a digital animation, duration just over 2 minutes. which I would like to demonstrate here. So please see below the two items, along […]
TIMELINE 1 – The Temporality and Potential Endlessness of the Line
Waring Rago Studio still – painting sequence captured photographically, as stills, desktop printed and laid out in sequence next to OMPHALOS by Nicholas Gulig. I have been thinking about the Line – all the things that a line is/can be/might be/represents – and in the manner of Sol LeWitt’s Sentences on Conceptual Art (as Jonathan […]
Navigating the World
I have always enjoyed experimenting with making simple artist books and included works on paper in my exhibition (notice folded paper exhibits in the two cases in the centre of the room) at Doncaster Museum and Art Gallery in 2016 I would like to re-evaluate the above in connection with PICTOPOIESIS. On the theme of navigation […]